KM - Day of the Dead (George A Romero, 1985)

Budget- $3.5m (estimated)
Box Office Gross- USA- $5.8m
Worldwide- $34m
IMDB Rating- 7.0/10

Synopsis- A small group of military officers and scientists dwell in an underground bunker as the world above is overrun by zombies. Set in Florida, as the film begins the dead have taken over the world, outnumbering humans 400,000 to one. The handful of surviving humans have taken refuge in an underground missile silo and argue and yell at each other like players in a Rod Serling Twilight Zone episode. Among the survivors are Sarah (Lori Cardille) -- a scientist who is trying to reverse the process whereby the dead turn into flesh-eating, irrational zombies -- and Dr. Logan (Richard Liberty) -- an out-of-his-mind psychologist who wants to capture the zombies and turn them into domestic help. Things heat up when the military tries to take over the scientific experiments.

Establishing shot

Deconstruction- The film opens with a non-diagetic gong sounding as the scene fades in quickly from blackness into an establishing shot of the protagonist sitting on the floor of an empty room, which signifies some sort of institution, anchorage is given for this through the orange jumpsuit that she is wearing, the rough white font of the titles appear over the establishing shot, and signify the movie genre.

POV shot

The scene then cuts back and forth between a close-up of the protagonist and a POV shot from the protagonist's perspective, looking at a calender on the wall, across the room. Non- diagetic electronic synthesisers crescendo over the top of the scene as the protagonist stands and slowly walks toward the calender. 




The scene ends with the protagonist being grabbed by zombies who punch through the wall, the shot ends suddenly and the screen transitions to white before showing the protagonist in a helicopter, signifying a flashback. 

The opening of this zombie film encorporates features similar to what we are including in our 2 minute opening, such as the first few shots showing the protagonist alone before leading into a flashback transition.